die. He’s given permission—”
Third man: “His permission is worthless. The only time he can give permission is when he’s in extreme pain and he’ll do anything to stop it. If he gives you permission, he gets opiates. If he doesn’t give permission, you’ll argue some more, and that delays the dope. You can’t do that. You were essentially torturing him to get what you want.”
The second man again: “You guys have to sign off on this. There’s a good possibility that we’ll never encounter this situation again. If this works as it should, it’ll be a major breakthrough. We’re talking about tens of thousands of lives around the world.”
First man: “That you might not even be able to write about, to publish, because the ethical problems are so clear.”
Second man: “We can have that fight later. After it’s done. Maybe we could . . . obfuscate the precise circumstances to some degree.”
Third man: “Oh, bullshit. The committee’s not going to sign off on this. You go strutting in there like a peacock and expect them to fall over?”
Second man: “They’ll fall over if you recommend we go ahead. Listen, they’ll go ahead if your . . . if your, I have to say, inaccurate suggestion about his state of mind isn’t mentioned—”
----
—
The recording cut out. Trane looked at Virgil, and said, “This can’t be an original recording. Not on a CD.”
Virgil nodded. “You’re right. It’s a rerecording. But why? Blackmail? They were talking about human experimentation. If it’s blackmail, why hide it behind a couple of cowboy songs?”
“I don’t know about that part,” Trane said. “I’ve got a doctor I could talk to about the experimentation, see if he can clarify the situation.”
“He might not want to. He might even have to report it to somebody, and we wouldn’t want that to happen until we’re ready for it,” Virgil said.
“He won’t report it.”
“You’re sure?”
“I’m sure, and I can get it done in a hurry,” Trane said. “The fact is, I’m sleeping with him.”
“That’s more information than I needed,” Virgil said. “And that doesn’t guarantee—”
“The other thing is, he’s my husband,” Trane said.
“Ah. Then we’re okay. I was wondering where those Louboutin boots came from on a cop’s salary. I saw the red soles when you were walking up the steps outside.”
Fists on hips. “You’re were thinking I was crooked?”
“I was thinking you were looking good,” Virgil said.
“You do know how to dodge a bullet,” Trane said, with another of her uncommon smiles.
----
—
Trane wanted to talk to her husband, who was planning to spend the afternoon with his sketching group but would still be at home. “After I talk to him, I’m going back to wife number three. Maybe she knows exactly what situation they were talking about—who they were going to experiment on.”
“I’ll see if I can find Combes,” Virgil said. And, “Hey, Trane, you did good. I wouldn’t have thought of the CD in a hundred years.”
“That makes us even,” Trane said. “I never would have seen the tricky desk.”
----
—
Virgil called Davenport about Combes. Davenport went away for a minute, then came back and gave him a phone number for a lawyer named Carleton Lange, who referred him to a lawyer named Shelly Carter, who gave him Combes’s personal cell phone number, and said, “Don’t tell him I sold him out to a cop.”
Combes was on the sixteenth green at his golf club about to putt, he told Virgil, but would be done in half an hour or so. “Come to the clubhouse, I’ll meet you in the grill. You can grill me.”
Combes lived in the prosperous St. Paul suburb of North Oaks, which was north of St. Paul and had a lot of oaks and, from what Virgil had been told, had a decent, private golf course set among architecturally challenged McMansions. He’d never beenon the course, which wasn’t disappointing since he ranked golf only
Third man: “His permission is worthless. The only time he can give permission is when he’s in extreme pain and he’ll do anything to stop it. If he gives you permission, he gets opiates. If he doesn’t give permission, you’ll argue some more, and that delays the dope. You can’t do that. You were essentially torturing him to get what you want.”
The second man again: “You guys have to sign off on this. There’s a good possibility that we’ll never encounter this situation again. If this works as it should, it’ll be a major breakthrough. We’re talking about tens of thousands of lives around the world.”
First man: “That you might not even be able to write about, to publish, because the ethical problems are so clear.”
Second man: “We can have that fight later. After it’s done. Maybe we could . . . obfuscate the precise circumstances to some degree.”
Third man: “Oh, bullshit. The committee’s not going to sign off on this. You go strutting in there like a peacock and expect them to fall over?”
Second man: “They’ll fall over if you recommend we go ahead. Listen, they’ll go ahead if your . . . if your, I have to say, inaccurate suggestion about his state of mind isn’t mentioned—”
----
—
The recording cut out. Trane looked at Virgil, and said, “This can’t be an original recording. Not on a CD.”
Virgil nodded. “You’re right. It’s a rerecording. But why? Blackmail? They were talking about human experimentation. If it’s blackmail, why hide it behind a couple of cowboy songs?”
“I don’t know about that part,” Trane said. “I’ve got a doctor I could talk to about the experimentation, see if he can clarify the situation.”
“He might not want to. He might even have to report it to somebody, and we wouldn’t want that to happen until we’re ready for it,” Virgil said.
“He won’t report it.”
“You’re sure?”
“I’m sure, and I can get it done in a hurry,” Trane said. “The fact is, I’m sleeping with him.”
“That’s more information than I needed,” Virgil said. “And that doesn’t guarantee—”
“The other thing is, he’s my husband,” Trane said.
“Ah. Then we’re okay. I was wondering where those Louboutin boots came from on a cop’s salary. I saw the red soles when you were walking up the steps outside.”
Fists on hips. “You’re were thinking I was crooked?”
“I was thinking you were looking good,” Virgil said.
“You do know how to dodge a bullet,” Trane said, with another of her uncommon smiles.
----
—
Trane wanted to talk to her husband, who was planning to spend the afternoon with his sketching group but would still be at home. “After I talk to him, I’m going back to wife number three. Maybe she knows exactly what situation they were talking about—who they were going to experiment on.”
“I’ll see if I can find Combes,” Virgil said. And, “Hey, Trane, you did good. I wouldn’t have thought of the CD in a hundred years.”
“That makes us even,” Trane said. “I never would have seen the tricky desk.”
----
—
Virgil called Davenport about Combes. Davenport went away for a minute, then came back and gave him a phone number for a lawyer named Carleton Lange, who referred him to a lawyer named Shelly Carter, who gave him Combes’s personal cell phone number, and said, “Don’t tell him I sold him out to a cop.”
Combes was on the sixteenth green at his golf club about to putt, he told Virgil, but would be done in half an hour or so. “Come to the clubhouse, I’ll meet you in the grill. You can grill me.”
Combes lived in the prosperous St. Paul suburb of North Oaks, which was north of St. Paul and had a lot of oaks and, from what Virgil had been told, had a decent, private golf course set among architecturally challenged McMansions. He’d never beenon the course, which wasn’t disappointing since he ranked golf only
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