Flame by John Lutz Page A

shirt. He looked as if he might be in his late thirties and had gotten there the hard way. What appeared to be knife or razor scars marked his meaty forearms and the backs of his hands.
    The woman, sitting on the edge of the bed with her legs crossed, was wearing a gray blouse, black skirt, black high heels. She had a gold chain around her neck, another around her left ankle. She might have been Hispanic, but Carver couldn’t be sure. She wasn’t beautiful, but somewhere she’d learned how to dress and apply makeup. Her appeal was mostly the result of presentation. Take away the dark mascara and lipstick, the high heels and tight skirt, and she would have been an ordinary woman in her late twenties. Include them and she was something bright and shiny that grabbed attention. The sort of object that attracted predators. She was smoking a cigarette in a long black holder. Her large dark eyes gazed with something like amusement at Carver as she exhaled a thin vapor of smoke from deep in her lungs. She made smoking seem erotic.
    Carver leaned motionless on his cane just inside the door. The other three didn’t move, either. Didn’t speak. A still-life study that took on weight and urgency.
    Finally Carver said, “Got the wrong room?”
    Gray suit said, “Wrong for you or for us?”
    “Word games?” Carver asked. Trying to figure this. Thinking he could make it out the door and back into the hall. Wondering whether they’d come after him. Maybe not. He could raise hell out in the hall, possibly draw some help. Possibly. But he didn’t move, only stood there listening to his heart. He was apprehensive about this, but his curiosity kept him glued where he was.
    “No kinda game,” said the wide man in white. His deep, phlegmy voice rolled like gravel through his leering lips. Carver looked into his tiny, pained eyes and wondered if there might be something seriously wrong with the mind behind them.
    Gray suit said, “Come on in, Mr. Carver,” as if it were his room. “Sit yourself down and we’ll talk.” He had a rich Southern accent and made “Carver” three sliding syllables.
    Carver limped a few steps farther into the room. Stayed standing.
    The man in the suit said, “I’m Walter Ogden.” He motioned with an elegant gold-ringed hand toward the other man. “This is Butcher. Young lady here’s Courtney Romano.”
    “Holiday Inn send you to check on towels?” Carver asked.
    Butcher giggled. It sounded like a cat screeching beneath the phlegmy gravel. “Got him a sense of humor,” he said. More Deep South accent. “Betcha he could lose it in about ten seconds, I decided to cut it outa him. Where’s your sense of humor, Carver? Some people’s is around their heart, others just ’neath their liver. Simple thing to pluck it right out no matter where ’tis, even if you gotta look a while.” He used his leer again. Resembled an oversized gargoyle.
    Ogden said, “Calm down now, Butcher. Maybe I’ll throw you some meat.”
    “I’m countin’ on it.”
    Courtney crossed her legs the other way with a loud swish of nylon and kept staring at Carver. Smoke from the cigarette holder trailed across her face but she didn’t blink. Telling him she was a hard number and not to look in her direction for sympathy.
    Butcher drew a bone-handled knife with a long, thin cutting blade from beneath his shirt. The kind used in slaughterhouses to strip meat from bone. Said, “Ever seen how livestock starts out on its trip to the dinner table, Carver?”
    Carver knew this was all being done for effect. These three, laying it on thick. An act designed to intimidate, with Ogden, who seemed to have an agile mind behind his good-ol’-boy-sophisticate pose, the director. Still, it was working. Butcher’s words, Butcher’s baleful steady gaze, sent a tiny cold centipede scurrying up the nape of Carver’s neck. He said to Ogden, “Spare me the scary part and get to the point. Then get outa my room.”
    Courtney said in a