I had got away with it and the neighbour wasnât going to say anything after all. I even sent James a letter to the bedsit telling him we could pick things up again when Shane went to Hull to join his ship, but the neighbour, the cow, was just playing a waiting game, I reckon, holding off until she knew that I was beginning to think I had got away with it. Then Shane gets the anonymous letter Iâd been dreading printed so as to disguise any handwriting, telling him all about me and my âfancy manâ and enclosing a photograph of us with our backs to the camera. She must have turned round and taken the snapshot when we were walking away from her but it was me all right, wearing a very distinctive jacket I had then, purple with a fawn patch on the back. I donât mean a repair make-do-and-mend patch but a designer patch. So then Shane keeps it to himself and tells me that we are going for a drive. We drive out into the country and he parks up in a narrow lane by a field and shows me the letter and the photograph, then he takes me into the field and plays football with my body ... all the time wanting to know who the âfancy manâ is. After that I donât remember anything â itâs all blank. Itâs still all a blank. Shane got arrested for assault but got away with it ... no witnesses ... no trace of my blood on his clothing. Heâd changed his clothes by the time the cops arrested him. He had probably burnt the ones he was wearing in the field.â
âWill we know your ex-husband?â Yellich asked.
âOh, yes, heâs got a record. Heâs got convictions for violence. Anyway,â Muriel Bond continued, âI never heard no more from James. I just assumed heâd gone back to his wife and was keeping his head down because he knew a mad mountain of a trawlerman was looking for him. It never occurred to me that Shane had murdered James. Not once did that occur to me.â
âYou know thatâs what happened?â Ventnor pressed.
âNo ... no, I donât ... Shane never said anything, itâs just thatâs what I assume. The murder, well, that I can understand, but not the burial part.â Muriel Bond held eye contact with Ventnor. âThe Shane Bond I know, or knew, would have left Jamesâs body lying in the open somewhere waiting to be found ... so long as no one saw anything and there were no witnesses ... thatâs all Shane would be worried about. He wouldnât go to the trouble of burying someone heâd killed. Mind you, he had the van; he had all the tools he would need to dig a deep hole kept in his allotment shed ... a pick ... a spade ... so I donât know. Itâs just what I think must have happened.â
âSo what ... yes, so I gave her a bit of a slap, so what? She was fishing for it.â Shane Bond sneered at the question. He was, Yellich and Ventnor found, a tall, muscular man, as Muriel Bond had described him as being, with the biting salt sea air seemingly engraved in his ragged, jagged facial features. He had, thought Yellich, very small pupils, which seemed to pierce rather than look. âI mean, you tell me, what marriage doesnât have that bit? Which wife never gets whatâs coming to her now and again? Itâs what makes any marriage work, isnât it?â
âIt didnât seem to make your marriage work, Shane,â Somerled Yellich observed coldly.
âIt didnât exactly destroy it either,â Bond retorted savagely. âShe left, didnât she? I didnât chuck her out. She could have stayed but she left. Her choice.â
Shane Bondâs house and home was a small, soot-black terraced house in Holgate behind the railway station. Like all the other houses in Holgate, it had just two rooms downstairs and a kitchen. Upstairs were two bedrooms and a bathroom. There was a small backyard enclosed by a high wall and a cobbled stone-surfaced alley running
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