director were standing at the front of the stage, looking at me.
âWhat is it exactly you want to know?â the director asked. His name was Moore. He looked to be nearing sixty and holding on for everything he was worth to his youthful looks.
I let my hand linger on the cool wood for another moment, then stood up.
âYou were interviewed by the police eighteen years ago about an actor named Thomas Manning.â
âI remember it very clearly.â
âWhy is that?â
âBecause it was the last day I ever saw Tom. He vanished after that. I had to take over the acting class he was teaching.â
I had never heard my father referred to as Tom; I couldnât even remember my mother ever using the name.
âHe was accused of molesting several actresses?â
Moore nodded. âI didnât learn about those things until he vanished.â
âDid you believe them?â
The director paused dramatically, as if it were written in stage directions and we were working on a scene.
âI believe Tom was capable of anything, including greatness.â
âYou liked him?â
He shook his head. âEnvied his talent. The rest of him . . .â
âWhat?â
Moore looked over the stage as if replaying a moment in time. âWith a look he could make you feel as if you were nothing.â
âAccording to the arrest report, you were the last person who could corroborate his whereabouts on the night of the murder.â
Moore shook his head. âNo, he left the theater after class with one of his students, an actress.â
Harrison looked over the notes he had taken from Hazzardâs files, then shook his head. âThereâs no mention of that.â
âI told the detective.â
âYouâre sure?â
âYes. I donât know if they went any farther together than the parking lot, but they walked out of here together.â
âDo you know her name?â I asked
He thought for a moment, shook his head.
âIâll have to make some calls, see if anyone remembers.â
Moore disappeared into an office and returned ten minutes later. âI think this is her, but no guarantees.â He handed me a piece of paper with a name and address.
âHas anyone else talked to you about this recently?â
âNo.â
I handed Moore my card as we left, the picture of my father gaining more, if not better, detail.
âDoesnât make sense that Hazzard would have missed a detail like that,â Harrison said.
âMoore could be rightâmaybe they didnât get any farther than the parking lot.â
âYou want to talk to Hazzard?â
âNot yet. If he left something out, letâs find out if there was a reason.â
I handed Harrison the paper with the name and address. âLetâs talk to her first.â
I glanced back toward Pasadena. The smoke from the fire that was threatening my house now completely obscured the mountains to the east.
âWhat time was it my father left here?â
Harrison checked his notes. âShortly after seven.â
âAbout the same time Victoria Fisher was starting dinner at the restaurant on Melrose.â
âTwo miles from here.â
The address was a small bungalow in Eagle Rock just west of Pasadena. A boy of about ten was rushing down the steps of the house carrying a backpack to a sedan parked out front. As the car drove away his mother appeared at the front door, waved, then glanced in our direction before stepping back inside. Candice Fleming was or had been her name on the day she walked out of the theater with my father eighteen years before.
âDid you see that?â Harrison said.
I nodded; it was a look familiar to any cop, but not in this kind of a neighborhood, or from a woman in a robe sending a son on a sleepover.
âIt looked like she made us,â Harrison said.
I opened the door and stepped out. âShe did make us, but
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