long sheâs been dead?â Jane asked quietly.
âBody temp suggests twelve hours.â
Jane checked the time on her cell phone. âSo about 8:30 last night,â she said, more to herself to make a mental note.
Jane moved closer to the bed and viewed Handelâs naked body. A yellow stain of urine soiled the white comforter under the womanâs pelvis. A smaller mark of feces lay next to her left hip. It wasnât unusual for the vics to evacuate their bladder, since death relaxed the body. But when she saw shit expelled, it often meant that there was a sufficient degree of conscious fear while the attack progressed, allowing to literally âscare the shitâ out of them. Across her back, written in red lipstick was KARMA IS A BITCH! The lipstick holder sat on the side table, its red phallic crown still exposed to the air, with the dusty trace of fingerprints left around the cylinder by the crime scene techs.
âWhoever did this, took their time, didnât they?â Jane stated. âThey wanted her to suffer badly.â She looked at Weyler. âWhy let God sort it out, when you can take the power in your own hands and make it easy on Him.â Jane hunkered down to get level with Handelâs point of view. That deathly, terrified stare appeared to be gazing at a point just behind where Jane stood. The only thing in that area was a single chair. âHas that been moved?â she asked one of the crime techs who replied that it was in the same spot when they arrived. âThatâs an odd place for a single chair, donât you think? Facing the bed like youâre watching a TV program.â
âOr waiting,â Weyler suggested.
âYeah. Waiting.â Jane carefully sat in the chair and looked at Handel. She had to hunker down a bit in the seat to meet the dead womanâs fixed gaze. âWaiting,â Jane repeated, âto make sure Carolyn saw who was killing her . . . and maybe to make sure she was dead before they left.â Sitting there, Jane could almost feel an intangible connection to the ass that sat in that same seat twelve hours earlier. It was right there ... so close. As if they were still watching Handel suffer the fate they dealt to her.
Weyler noted that the specific knot used to secure Handel was known as a âfigure eight.â âItâs an anchor knot often used in rescues. I believe itâs in the Army Field Manual.â
âSo did the killer want to âbe all he could beâ?â Jane took a closer look at Handelâs cheeks. They looked puffy, but bloating would take a little longer to cause that. She slipped on a latex glove and gently poked the flesh around Handelâs mouth. A soft, crunchy sound was emitted. âThereâs something in her mouth.â
A crime scene tech carefully removed the layers of duct tape. Like confetti erupting from a small tube, strings of shredded paper drifted from Handelâs mouth and onto the comforter. Jane gingerly released more of the salivalaced shreds until she found one strip where she could clearly read the words Promissory Note.
âWhat the fuckâ?â Jane muttered. In the background, she could hear Handelâs childhood friend, Laura Abernathy, whispering to the street cop. Jane stood up and spoke confidentially to Weyler. âIs there a reason why Mrs. Abernathy is still here?â
âApparently, she doesnât want to leave her friend.â
Jane looked across the room at the round-faced woman. Her diminutive stature was exaggerated by the soft
pink dress that hung well below her knees. Clamped in the crease of her elbow was the strap of a matching pink purse. It was the kind of outfit youâd wear to church or high tea.
âHas anyone talked to her yet?â
âNot formally,â Weyler stated.
Speaking to witnesses to death at crime scenes was never Jane Perryâs forte. Her gruff manner better suited
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