farm and knew what to do when a man pulled his back, and not to be foolish but to lie down so I could fix it.â
She indicated the bench. Melissa Aylward came over and looked at the dish of improvised liniment, sniffing at it.
âEssence of meadowsweet and sunflower oil. That would do nicely. I add a little mint-water when I make up a batch for the stillroom.â
âMy mother does too,â Asgerd said. âBut there wasnât any to hand.â
Melissa nodded. âSo it isnât all swords with you, then, girl?â
âOh, no,â Asgerd said, surprised; though they hadnât had much time to talk, or she thought much inclination on the older womanâs part. âI trained to arms, we all do in Norrheim just as you do here, but I wasnât a shield-maid until my man Sigurd . . . the one I was to marry . . . was killed. By the Bekwa savages, led by a red-robe, a trollkjerring of the CUT. I heard that the night I first saw Edain.â
Quick sympathy lit the other womanâs face, and Asgerd turned her head aside slightly.
âThat is a good loom,â she went on determinedly, walking over to where it stood tall at the other end of the big room. âMy mother has one much like itâa bit higher, a little narrower.â
âSam made it for me . . . sweet Brigid, twenty-three years ago last Imbolc,â Melissa said.
Asgerd touched the satiny finish of the wood, pegged and glued together from oak and ash, beech wood and maple, and carved with running vines at the joinings. Just now it was set up to weave a stretch of blue cloth with yellow flowers at the corners, half done but already lovely. One of the good things about weaving was that it could be interrupted for something more urgent and taken up again an hour or a day later; she supposed that was why it was usually womanâs work, though sheâd known men who did it well. If there was anything that made for interruptions more urgent and more often than a small child, sheâd never heard of it.
Melissa went on: âHe copied it from Lady Juniperâs that she had from before the Changeâshe taught me to weave, like many another. We like to work here together in the winter afternoons, Sam and I; heâll be at the bench, and I at the loom.â
Asgerd looked more closely, whistled under her breath, and traced one of the joints with her thumbnail. It was so close-set there was hardly even a catch when she ran it across the surface; the whole of it was like that, mortise-and-tenon joins pegged together with almost invisible smoothness. Even the king-bolts that could be taken down to disassemble the whole thing for storage were countersunk to be out of the way yet instantly accessible.
âThis is beautifully made, so light and yet so strong!â she said.
Every ounce of unnecessary weight in a loomâs moving parts was something you felt in your shoulders and back after a day spent weaving; any half-competent carpenter could knock together something that relied on sheer bulk, but paring weight to a minimum without losing strength or rigidity took real art at every stage from selecting the materials on.
âLike fine cabinetwork,â she went on. âIâve never seen better.â
Melissa swallowed. âSam always has been proud of his carpentry and joinery, though, sure, he doesnât talk about it much,â she said. âPeople came from all over to learn it from him, those first years. Bows yes, but not just those, and he made . . . oh, looms and churns and a dozen other things, getting ideas from books and old things from museums and then figuring out how to do them properly. And they came to learn farming from him, too, the old ways of doing it, heâd go âround giving a hand to all and showing the way of it. Thereâs many alive and well today on the ridge of the world with children and grandchildren of their own, who would have starved half to death or
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