The Art of the Devil

The Art of the Devil by John Altman Page B

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Authors: John Altman
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George Washington Memorial Parkway at President Eisenhower, who cowered inside his bubble-topped Chrysler; and he foolishly followed the will-o’-the-wisp, the ghost-fire of legend, the pixie light, which beckoned lost souls; and the old fortune-teller bent close and declared, her voice like a seething nest of vipers, that he would have a short life, a pity.
    Then he turned his head, slowly, and saw the sun starting to rise behind jagged mountains.
    The light in the sky was unmistakably real. Cars passed on the road above, regularly if infrequently. Daybreak was near. The humming in his head was back, a nest of mad bees.
    Isherwood was gone.
    And Hart had survived the night.
    He began the process of getting his functioning leg beneath himself: painstakingly, using his one good arm as a lever. By the time he realized the task was impossible – if he wanted to move, he would need to crawl – the sun had risen higher in the sky, the low clouds beyond the mountains shading from pink to yellow.
    And so he struck off in a clumsy slither, dragging his wounded leg behind himself, flopping his ruined arm uselessly, moving in the direction of the scenic overlook and his waiting Buick. He would survive this, he told himself. And next time, he would not underestimate his target. Next time, he would pay more heed to the warnings of the fortune-teller and the will-o’-the-wisp.
    He slithered: scowling, cursing, weeping with the pain that now flooded his body, overwhelming, all-encompassing; and with every excruciating movement he cursed Jesus, Mary, Joseph, his own errors of judgment, and most of all Agent Francis Isherwood.

SEVEN
    THE TREASURY BUILDING: NOVEMBER 17
    B ehind his desk at 1500 Pennsylvania Avenue, Max Whitman stared philosophically into space, his broad mouth forming a thoughtful moue.
    He pictured a beautiful young girl with hair the color of autumn dusk, sitting just on the other side of the desk.
You’re so handsome, Max
.
Letting you go was the worst mistake of my life. I’ll never leave you again. I love you …
    The door to the reception area leaned open; and there stood Francis Isherwood, looking even less rested and more bedraggled than the last time Max Whitman had seen him. For an instant, the secretary couldn’t keep the surprise off his face.
    Then he recovered. ‘Ish,’ he said, managing strained bonhomie.
    Stepping into the office, Isherwood let a long moment fall away. At last he said darkly: ‘Need to see the Chief.’
    â€˜He’s in a meeting. You, uh, should have called ahead.’ Max glanced around furtively. Leaning across the desk, he dropped his voice. ‘Where the hell were you last night? I was standing out in that damned pumpkin patch until the cock crowed.’
    â€˜Just let the Chief know I’m here.’
    â€˜He gave specific instructions not to be—’
    â€˜I’ll wait.’
    For the next quarter-hour, Isherwood shared the reception area with Max Whitman without once looking in his direction. At last a man wearing pinstripes emerged from the inner sanctum; Isherwood promptly stood. ‘Better let me give him a holler,’ Max started, but Isherwood had already breezed past him, moving into the office and closing the door resoundingly.
    Max tried to distract himself by shuffling papers around the desk. If worse came to worst, he thought, it would be Isherwood’s word against his. Unless, that was, they had evidence he didn’t know about. Perhaps he had been photographed visiting the senator’s mansion in Charlottesville, or talking with someone at the bar of the Mayflower Hotel. Perhaps he should just leave his desk, walk out of the building, and make a run for it. But those would be the actions of a guilty man. He would ruin any future he might still have in Treasury. And there was his wife to consider, his two precious daughters—
    Sitting across the desk, the ghost of Betsy Martin wore her default

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