will give me true answers. I will begin with you, Osbert. How much do you feel your uncleâs death?â
âAbout as much as he would have felt mine, Grannie. You know what his feeling would have been.â
âAnd you, Erica. How much do you feel it?â
âPerhaps less than he would have felt mine. But that may not be against me. I see it is sad that he is dead.â
âAnd you, Amy. Look at me and tell me the truth.â
Amy looked at the ground and told herself the truth, that her uncle would never be seen at school again.
âOh, I donât know, Grannie; I am not sure. I think I feel as Erica does. It is sad that he is dead.â
âIt is sad that he is dead,â said Jocasta, almost in mimicry. âIt is sad that they are both dead, my sons who seemed so apart from each other, and were both so nearto me. They had different qualities, perhaps the opposite ones, but their mother understood them and valued them for what they were.â
âAnd knew what they were not,â murmured Osbert. âShe saw their feet were of clay. And sometimes perceived it in other parts of them.â
âWhat did you say, Osbert? What was it, Amy? Answer me at once when I speak.â
âOhâthat you saw their feet were of clay, Grannie; and saw itâperceived it in other parts of them.â
âSo, Osbert, that is what it was. That is how you talk to your sisters of men who were wiser than you, and are not able to answer. So I saw their feet were of clay? Do you ever turn your eyes on yourself?â
âNo, I never do, Grannie. I am made entirely of clay. I ought not to have been made at all. I might see myself as others see me.â
âWell, cease to mutter to yourself. Hear yourself as others hear you. If you are ashamed of what you have to say, ask yourself why you say it. Look into your own heart and recognise what you see. There is something different about you all to-day. And it is not a day for betraying the hidden side of yourselves.â
âWhich days are the ones for that?â said Erica. âI have never known them.â
âThey say that sorrow is ennobling,â said Osbert. âSo I suppose Grannie is ennobled. That is why her standard is so high.â
âWell, it is my own, and different from yours, perhaps different from everyoneâs. It is one of the things I have to accept. I must face them and go forward. To fail would be to fail myself. Well, Hollander, you have a sad old woman for a mistress.â
âYes, maâam,â said Hollander, in sympathetic agreement.âWhen my uncle died my grandmother was never to lift her head again.â
âWell, I must try to do a little better than that.â
âIf you are able to, maâam. In the other case no hope was entertained,â said Hollander with a faint sound of shock in his tone.
âI must think of my grand-children as well as of myself.â
âWell, youth has its eyes on the future, maâam. My grandmother observed it in her dry vein.â
âAnd you donât connect me with the future?â
âNo, maâam,â said Hollander, smiling at the idea.
âI may have a little of it.â
âYes, maâam, with every hour of it an hour too much.â
âWe should give ourselves to life as long as we have it.â
âYes, maâam, with thoughts on something very different.â
âPerhaps we should not dwell on our own state.â
âThere would be reminders, maâam, that would not escape you.â
âYou think I can turn a clear eye on myself?â
âYes, maâam, when that is the direction. Otherwise I think few of us elude it.â
âPerhaps I see and feel too much for my time of life.â
âWell, maâam, it is a case of now or never. When you can attend to it, maâam, a registered packet has come for you. I hope I did right in signing the receipt. The
Mike Mullin
Lucius Shepard
Brian Krebs
Kara Karnatzki
Rick Santini
Emma McLaughlin
Gilbert Morris
Joshua Corin
Gabra Zackman
Zoey Thames